LETTING GO
LETTING GO

Emerging rather than describing. Unclean and imperfect. “Letting Go” aims to grasp what often howls in secret, growls behind closed doors, and is experienced in solitude: those abstract and sometimes implacable notions of the mind, only visible by tracing their footsteps in the lengths people go to drown out its noise.

 Stories of unrest, of fears and desires, of chaos and confusion. Its participants, diving into their very own vulnerabilities. An inner world, both appealing and terrifying.

Stories of unrest, of fears and desires, of chaos and confusion. Its participants, diving into their very own vulnerabilities. An inner world, both appealing and terrifying.

 Introspective and instinctual in its approach, “Letting Go” wants to sense and free what lies unseen; a feeling of being in this world rather than describing the state of it. To open a window for self- expression. Allowing the camera to be a mirror.

Introspective and instinctual in its approach, “Letting Go” wants to sense and free what lies unseen; a feeling of being in this world rather than describing the state of it. To open a window for self- expression. Allowing the camera to be a mirror. To reflect and question my own perceptions, thoughts and memories in the process. To face my own fears and desires. And eventually, letting the viewer's story shape the gaps, opening up a realm of interpretation in volatile proximity.

 In exposing the experience horizon, this project looks at moments between tension and relief and asks: Do we free ourselves by matching the incessant noise with our own, or are we only liberated by letting go?

In exposing the experience horizon, this project looks at moments between tension and relief and asks: Do we free ourselves by matching the incessant noise with our own, or are we only liberated by letting go?

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LETTING GO
 Stories of unrest, of fears and desires, of chaos and confusion. Its participants, diving into their very own vulnerabilities. An inner world, both appealing and terrifying.
 Introspective and instinctual in its approach, “Letting Go” wants to sense and free what lies unseen; a feeling of being in this world rather than describing the state of it. To open a window for self- expression. Allowing the camera to be a mirror.
 In exposing the experience horizon, this project looks at moments between tension and relief and asks: Do we free ourselves by matching the incessant noise with our own, or are we only liberated by letting go?
DSCF0487.jpg
IMG_9871.jpg
DSCF0001.jpg
img20200224_23141874-3-2-Enhanced.jpg
DSCF9253.jpg
img20210815_14293468.jpg
IMG_8817-Enhanced.jpg
IMG_8778-2-2-Enhanced.jpg
IMG_9512-2-Enhanced.jpg
DSCF0385-Enhanced.jpg
DSCF0662.jpg
img20220602_23292211.jpg
IMG_9554.jpg
DSCF0418-2-Enhanced.jpg
DSCF1487.jpg
LETTING GO

Emerging rather than describing. Unclean and imperfect. “Letting Go” aims to grasp what often howls in secret, growls behind closed doors, and is experienced in solitude: those abstract and sometimes implacable notions of the mind, only visible by tracing their footsteps in the lengths people go to drown out its noise.

Stories of unrest, of fears and desires, of chaos and confusion. Its participants, diving into their very own vulnerabilities. An inner world, both appealing and terrifying.

Introspective and instinctual in its approach, “Letting Go” wants to sense and free what lies unseen; a feeling of being in this world rather than describing the state of it. To open a window for self- expression. Allowing the camera to be a mirror. To reflect and question my own perceptions, thoughts and memories in the process. To face my own fears and desires. And eventually, letting the viewer's story shape the gaps, opening up a realm of interpretation in volatile proximity.

In exposing the experience horizon, this project looks at moments between tension and relief and asks: Do we free ourselves by matching the incessant noise with our own, or are we only liberated by letting go?

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